St George is a marble sculpture by Donatello. This piece was obviously meant to portray a youthful, courageous St. George, and few will dispute that Donatello's creation was anything but excellent. As an Amazon Associate the site owner earns from qualifying purchases. Drill marks on his head indicate, that he probably also wore some kind of helmet or wreath. St. George ist eine Marmorskulptur von Donatello.Es ist eine von vierzehn Skulpturen, die von den Zünften von Florenz inAuftrag gegeben wurden, um die äußeren Nischen der Orsanmichele-Kirchezu schmücken. He has for long been distinguished by the title of "The Great Martyr" and is one of the most popular saints to be represented in icons. One of these cities was Milan, which had been led in 1402 by Gian Galeazzo Visconti to the doorstep of Florence. His right hand originally probably held some sort of a blade. SAINT GEORGES: Adresse: DONATELLO, 11 RUE JACQUES DAGUERRE 92500 RUEIL-MALMAISON Téléphone: Afficher le téléphone Afficher le numéro. Even though he is fully clothed, there is still the sense of a muscular body underneath. SAINTS ET TÉMOINS DE L’ÉGLISE CATHOLIQUE This is a look of courage and resolve; this is a figure who will not back down. Il est, selon Leon Battista Alberti, un des cinq rénovateurs de l'art de son époque avec Masaccio, Brunelleschi, Ghiberti et Luca Della Robbia. Donatello’s depiction of St. George seems to reflect the idea of standing tall against an approaching enemy. Saint George is sculptured as a young, brave, determined and strong man in armor. FLORENCE. Photo à propos La statue représentant St George a sculpté par Donatello, sur la façade de l'église d'Orsanmichele à Florence. Saint Georges (San Giorgio) est une statue en marbre sculptée par Donatello vers 1415-1417. Braun & C-ie. Like the statue of St. Mark, the statue of St. George was destined for the guild’s niche in the building of Orsanmichele.. Because the guild was of average size, it could only afford a statue of marble, rather than of bronze. Saint Georges et le dragon, prédelle en marbre de Donatello provenant du tabernacle abritant à Orsanmichele la statue de saint Georges, forme le cœur de la section : celle‐ci permettra d’observer côte à côte la technique donatellienne du « stiacciatto » et des œuvres contemporaines. Thus, St. George’s facial expression complements the posture of his body to create a memorable statement not only about this man in particular, but also about the Florentine spirit in general. This is a site for information and analysis of the world of the Italian Renaissance. le relief Saint-Georges libérant la princesse (Diversement aussi appelé Saint-Georges et le dragon ou Saint-Georges et la princesse) Est un travail de Donatello sur marbre Apuan (129x39 cm) à partir du fond de la niche dell 'Art de Corazzai et Spadai de Orsanmichele et maintenant conservé Musée du Bargello (L'extérieur est une copie). To enhance the look of the statue, the guild created special special adornments for it, which might have been put on display on special days of the year, such as the Feast of St. George. Donatello was commissioned to create a statue of St. George around 1413 for the guild of Florentine armorers and sword-makers. There is a cave on the right, colonnade on the left and the relief also has a background with trees. Donatello, Saint-Georges Tabernacle, 1415-1417, Museo Nazionale del Bargello, Florence. Saint Georges libère la Princesse (en italien, San Giorgio libera la principessa) est une sculpture en bas-relief sur marbre de 120 × 39 cm, sculptée par Donatello vers 1416-1417. Statue XIXe du Saint Georges de Florence réalisée en 1416 par Donatello(1386-1466). He is standing in contrapposto, his right leg is turned to the same angle as his shield. The reason for such a stance has been linked to political events surrounding Florence during the years leading up to the statue’s creation. Donatello excella également à rendre les plis des vêtements ou les motifs architecturaux, par exemple la Cantoria (balcon pour orgue) du Dôme. His expression is one of intense concentration, reflected in his wrinkled brow. [3] From 1892 to 2008 a bronze replica was placed in the original niche, to be replaced by a marble replica on 23 April 2008. Around the year 1410, a different threat emerged from the south. SAINT GEORGES DÉLIVRANT LA PRINCESSE. Georges engage un combat acharné contre la bête qu'il transperce de sa lance et délivre ainsi la princesse. Saint Georges, le guerrier romain qui tua le dragon (+ 303) (27 mn) Martyrisé sous la persécution de Dioclétien. Donatello Born Donato di Niccolò di Betto Bardi c. 1386 Florence, Italy Died Dec. 13 1466 (at age 80) Florence, Italy Nationality Florentine, Italian Education Lorenzo Ghiberti Movement Early Renaissance Field Sculpture Famous Artwork by Donatello Saint Mark Zuccone The Feast of Herod David Equestrian statue of Gattamelata Judith and Holofernes There are many artists This technique is called Stiacciato.[5]. Saint Georges (San Giorgio) est une statue en marbre sculptée par Donatello vers 1415-1417. Personnage totalement légendaire, Georges devint le patron des chevaliers. It is one of fourteen sculptures commissioned by the guilds of Florence[1] to decorate the external niches of the Orsanmichele church. Bronze à patine claire enrichie de réhaux de dorure.Figure hiératique symbole de force et de pureté,image de la chevalerie occidentale. Numéro de conciergerie valable 5 min. Donatello (1904) (14595185477).jpg 1,270 × 2,904; 567 KB Do NOT follow this link or you will be banned from the site. St. George wurde von der Gilde der Rüstungsschmiede und Schwertmacher, der Arte dei Corazzai e Spadai, in Auftrag gegeben. However, before the threat could turn into disaster for the Florentines, the Neapolitan tyrant was struck by a disease and died. Donatello carved his statue of St. George for the guild of armorers and swordmakers in Florence. Because the guild was of average size, it could only afford a statue of marble, rather than of bronze. Statue XIXe du Saint Georges de Florence réalisée en 1416 par Donatello(1386-1466). Donato di Niccolò di Betto Bardi, dit Donatello (Florence, v. 1386 - Florence, 13 décembre 1466), est un sculpteur florentin. Grande figure novatrice du Quattrocento, Donatello a laissé une œuvre pionnière en matière d’esthétique et de technique sculpturale qui a profondément marqué plusieurs générations d’artistes, notamment Michel-Ange. St. George was a military hero who had fought to defend the Holy Land. Text is original to this site (ItalianRenaissance.org). St George c. 1416 Marble, height 214 cm Museo Nazionale del Bargello, Florence "For the Armourers' Guild Donatello made a very spirited figure of St George in armour, expressing in the head of this saint the beauty of youth, courage and valour in arms, and a terrible ardour. Crédits : Bridgeman Images Il était également reconnu pour sa représentation des sentiments humains, du courage de la jeunesse pour le David ou le Saint Georges (1416) à la contrition de la Madeleine pénitente (1454). 1 : documentation sur les données de la commande. Schiacciato : relief écrasé – base de la statue – marbre. The purpose of the stance that Donatello gave to St. George was to suggest stability and immobility; he is not supposed to be interpreted as moving, but instead, as stable and unmoveable. As early as 1628, the bronze colored paint which covered the statue was almost destroyed by weather. The spirit of standing strong against one’s enemies also seems to be reflected in the face of St. George. Although Florence was a free Republic during this time, it faced threats by other cities who were more powerful than itself. Il est, selon Leon Battista Alberti, un des cinq rénovateurs de l'art de son époque avec Masaccio, Brunelleschi, Ghiberti et Luca Della Robbia. Prix d'un appel local. Donatello (1383 ou 1386-1466), Saint Georges, statue qui ornait une niche de l'église Or San Michele à Florence (ici copie du XIX e siècle, et, Saint Georges et le dragon, bas-relief, marbres.Musée du Bargello, Florence. Donatello excella également à rendre les plis des vêtements ou les motifs architecturaux, par exemple la Cantoria (balcon pour orgue) du Dôme. Son culte se développa plus particulièrement en Europe, au retour des cr… Donatello (1383 ou 1386-1466), Saint Georges, statue qui ornait une niche de l'église Or San Michele à Florence (ici copie du XIXe siècle, e Drill marks on his head indicate, that he probably also wore some kind of helmet or wreath. Saint Georges (San Giorgio) est une statue en marbre sculptée par Donatello vers 1415-1417.. Elle fait partie du cycle des quatorze statues des protecteurs des arts de Florence dans les niches externes de l'église d'Orsanmichele.Elle a été commandée par la corporation de l'arte dei Corazzai e Spadai. Depuis 1891, elle est conservée au musée national du Bargello de Florence. This is a defensive posture. Bronze à patine claire enrichie de réhaux de dorure.Figure hiératique symbole de force et de pureté,image de la chevalerie occidentale. It appears that the niche in which the St. George sculpture was placed is shallower than all the others, because of the belfry stairs built in the thickness of the wall. Normand nous présente la fameuse histoire de la Légende du chevalier Saint Georges.Source:Ville de St-Georges Saint Georges, Donatello (1386-1466), 1415-1417 Marbre, 209m de hauteur, Florence, Museo Nazionale del Bargello Avant-propos : En 1336, on érige un nouvel édifice, l’Orsanmichele, dès 1339 on prévoit de placer dans les niches des sculptures et on décide pour ces sculptures de faire appel à des corporations. An army from Naples, led by a tyrant, moved north and again Florence was in danger of being invaded. ItalianRenaissance.org, "Donatello’s St. George," in, Michelangelo’s Painting of the Sistine Chapel Ceiling, http://www.italianrenaissance.org/donatellos-st-george/. The statue was to decorate the guild's niche at the newly-constructed Orsanmichele, a new marketing hall. With the city surrounded and Florence on the verge of invasion, disease swept through the Milanese army, forcing it to withdraw. Saint Georges Creator Donatello Country Italy Work Type Sculptures Sub-heading Free-Standing Notes carved in marble, originally located in a niche in the Church of Or San Michele around 1415 Accession LS012545 Originating Collection Caulfield McKnight Collection Slide Producer Projections de la Maison Ad. Elle a été commandée par la corporation de l'arte dei Corazzai e Spadai. Even though he is fully clothed, there is still the sense of a muscular body underneath. This leaved the work more exposed to wind and rain than any other statue at Orsanmichele. He turns his neck slightly to his left, his mouth is barely opened, and his pupils show a glance which is up and to his left, rather than directly in front of him. Donatello (1386-1466), sculpteur toscan de la Renaissance italienne. Donato di Niccolò di Betto Bardi, dit Donatello (Florence, v. 1386 - Florence, 13 décembre 1466), est un sculpteur florentin. Like the statue of St. Mark, the statue of St. George was destined for the guild’s niche in the building of Orsanmichele. The saint's lore was well-known. Mar 21, 2015 - Saint Mark Artist Donatello Year 1411–1413 Medium Marble Location Orsanmichele, Florence Height 93 in (236 cm) Famous Artwork by Donatello Saint Mark Zuccone The Feast of Herod David Equestrian statue of Gattamelata Judith and Holofernes The Saint Mark statue created by Donatello is perhaps one of his most famous creations. The closets objects are carved in relatively high relief, whereas the cave, the colonnade and the background trees are carved in low relief. His right hand originally probably held some sort of a blade. Instead, both legs are clearly supporting the saint’s weight, although the front of his left foot is not completely planted on the ground, but instead partially hangs off the front of the base. Il entreprend ensuite la réalisation de 5 statues de prophètes destinées à décorer les faces du Campanile, y compris le Zuccone au réalisme frappant. The original sculpture was stolen from the Villa Medici in Poggio a Caiano, but in May 1945 it was recovered by Frederick Hart in Neumelans and returned to Italy on 20 July 1945. If you would like to cite this page, please use this information: Michelangelo carved a number of works in Florence during his time with the Medici, but in the 1490s he left Florence and briefly went to Venice, … Read More →, The most famous section of the Sistine Chapel ceiling is Michelangelo's Creation of Adam. Service gratuit2,99€/appel + prix appel. Il était également reconnu pour sa représentation des sentiments humains, du courage de la jeunesse pour le David ou le Saint Georges (1416) à la contrition de la Madeleine pénitente (1454). Saint Georges, Donatello (1386-1466), 1415-1417 Marbre, 209m de hauteur, Florence, Museo Nazionale del Bargello Avant-propos : En 1336, on érige un nouvel édifice, l’Orsanmichele, dès 1339 on prévoit de placer dans les niches des sculptures et on décide pour ces sculptures de faire appel à des corporations. Sujet : épisode de la vie du Saint Georges (représenté en ronde bosse au-dessus), officier de l’armée romaine qui délivre la princesse Trébizonde et la ville d’un dragon Links on this site are affiliate links. Elle fait partie du cycle des quatorze statues des protecteurs des arts de Florence dans les niches externes de l'église d'Orsanmichele. Saint George is one of Christianity's most popular saints, and is highly honored by both the Western and Eastern Churches. Donatello was commissioned to sculpt St. George by the armorers guild of Florence. A popular tale involving St. George defeating the dragon came to be known through the collection of stories called the Golden Legend (Legenda Aurea) in the late thirteenth century. He stands tall with his shield in front of him that looks as if could rotate on its small base which touches the ground. Donatello, St. George, c. 1410-1415, marble. St. George was the patron saint of the armorer’s guild and was known as a military figure, one who was well-known in the Byzantine East, but who was also known by the Crusaders who battled Muslim forces in the Holy Land. This implies, at the very least, a sense of readiness on the part of the saint to quickly confront enemies coming from different directions. A wide range of devotions, traditions, and prayers to honor the saint have emerged throughout the centuries. Donatello carved his statue of St. George for the guild of armorers and swordmakers in Florence. Donatello received the commission for the statue in 1416. Thus, Florence was spared again from being the conquest of a more powerful foe. These adornments would have included a sword, held in his right hand, a helmet, and a belt. 1416 - 1417. It was carved from marble and placed near his statue of St. Mark on a niche of the church in Orsanmichele. Marque du Fondeur Barbedienne. Image du landmark, course, europe - 106485380 It was a spirit that must have been shared by Florentines of the day on account of contemporary events, and Donatello used it as the source for the disposition of his statue. Unlike the statue of St. Mark, the statue of St. George does not stand in contrapposto. Les sculptures de marbre de Donatello, David, Saint-Jean-Baptiste et Saint-Georges au Musée Palais du Bargello à Florence en Italie Georges, officier romain, vint à traverser Trébizonde, contrée terrorisée par un dragon exigeant un tribut quotidien de jeunes gens à dévorer ; le sort, ce jour-là, a désigné la princesse. The box base was added back onto the statue in 1976. He is standing in contrapposto, his right leg is turned to the same angle as his shield. A stone thrown at the sculpture in 1858 broke its nose,[2] and in 1892 Donatello's St. George was moved to the Bargello Museum in Florence. [5], There is a stone relief under the figure, that is displaying woman observing St George slaying the dragon in the middle. In Donatello’s work, St. George was carved with a confident posture. Il était également reconnu pour sa représentation des sentiments humains, du courage de la jeunesse pour le David ou le Saint Georges (1416) à la contrition de la Madeleine pénitente (1454). [4], Saint George is sculptured as a young, brave, determined and strong man in armor. Donatello excella également à rendre les plis des vêtements ou les motifs architecturaux, par exemple la Cantoria (balcon pour orgue) du Dôme. [5], St Georges eyes are looking up and his face indicates some kind of anxiety and emotionality before attacking the dragon (as in the biblical story). In order to save it, the statue was removed from its Tabernacle, and relocated to that of the … DONATELLO. Marque du Fondeur Barbedienne. St. George was commissioned by the guild of the armorers and sword makers, the Arte dei Corazzai e Spadai. They would have given the statue a bold appearance of metal on marble, and the sword would have projected forward, out of the niche, creating a very visible statement to all walking down the street in front of Orsanmichele. Standing … Read More →. "A soldier saint in Renaissance Florence: Donatello's St George", https://en.wikipedia.org/w/index.php?title=Saint_George_(Donatello)&oldid=993748296, Creative Commons Attribution-ShareAlike License, This page was last edited on 12 December 2020, at 07:35. Media in category "Saint George by Donatello" The following 22 files are in this category, out of 22 total. Ce numéro est un service payant édité par SAINT GEORGES. His eyebrows are knit together and there are wrinkles in his forehead. Donatello, Le Prophète Habacuc / Lo Zuccone, 1423-1425, Museo dell'Opera del Duomo, Florence Elle est visible au Musée national du Bargello de Florence. Product links above are affiliate links. This scene is located next to the Creation of Eve, which is … Read More →, David is one of Michelangelo's most-recognizable works, and has become one of the most recognizable statues in the entire world of art. Paola Grifoni, Francesca Nannelli, Le statue dei santi protettori delle arti fiorentine e il Museo di Orsanmichele, Quaderni del servizio educativo, Edizioni Polistampa, Florence, 2006.